- Chen Jitong and Cosmopolitan Possibilities in the Late Qing World
- Female Subjectivity and Diasporic Experience: Zhao Shuxia’s Life and Fiction
- History, Aesthetics, and Politics in Chinese Landscape Paintings
- The Habitus of Post-War Taiwanese Literature
- Guo Moruo and the Chinese Revolution
- Sanmao Comics and Chinese Politics, 1935-1962
- The Rural and the Modern in Chinese Cultural Imagination, 1915-1965
- Ecowomanist Literature in the Chinese Diaspora
- Identity and Culture in Late Imperial Chinese Novels
- Chinese-style Writing in Japanese Literary Culture, 950-1250
- New Editor at Chinese Literature
- Translation Banks, Little Magazines & Online Venues
- Digital Resources for Sinologists 1.0
- Youth Literature on the Sino-Japanese War, China & US
- Sent-Down Youth Literature in Post-Mao China
- Music & Prosody in Late Imperial China
- Cosmopolitanism & Cinema in Hong Kong, Taiwan
- Sharebon, the Demimonde & Edo Aesthetics
- Shanghai: The Fun of Mapping Lies
- Gender Politics in Chinese & Hollywood Films
- Culture & Media in Post-Socialist China
- Poetics of Miscellaneousness in Southern Song
- Leftist Politics in Interwar China 1919-37
- Ding Yaokang & Ming-Qing Literature
- Chinese Vernacular Fiction in 18th-c. Japan
- Chinese Literary Studies & Waka Studies
- China on Dissertation Reviews
- China on ($67) a Day?
- Hong Kong Crime Film & Film Noir
- Dual Translation, World Literature, Chinese Poetry
- Yu Dafu (1896-1945): Self-Articulation & Self-Accusation
- Warring States “Echoes” of the Past
- Fantastic Tales in Late Imperial China & Tokugawa Japan
- Chinese Science Fiction & Colonial Modernities
- Transgendering of the Peony in East Asia
- Sima Qian & the Author-Function
- “Coolie Democracy”, US-China Exchanges 1925-1955
- Lu Xun & World Literature
- Aesthetic Afterlives of the Cultural Revolution
- Feminist Criticism in Chinese Studies
- Chinese Literature Dissertation Reviews
- Gender Politics & Modern Chinese Poetry
- Chinese Fiction Periodicals in Global Context