- The China Film Archive 中国电影资料馆
- Postfeminism and Digital Media
- Colonial Photography in British India
- Cultural Propaganda in Taiwan, 1950s-60s
- Female Broadcast Professionals in Turkey
- Music and Media in the Dutch East Indies, 1903-1942
- Photographic Imaginary and the Engineering of Modern Paris
- Visual Technologies and Culture in Post-Soviet Central Asia
- Punk Avant-Gardes in East Germany
- Urban Space in Postwar Madrid
- Letter Writing and Art Making in the Age of Albrecht Dürer
- Patronage and Music Composition in France
- “Objective Authorship” in 20th-Century Russian Writing and Photography
- Korean Modernism in Literature and Film
- Cultural Production of Gender in Colonial Korea
- Hemispheric Institute’s Digital Video Library
- Diversity & Equality in Interactive Historical Fiction
- Digital Resources for Sinologists 1.0
- Documentary Theater & the Avant-Garde
- Geology & Neoclassical Aesthetics
- The Making of the Chinese Creative Class
- Chinese Posters at University of Westminster
- Crime & Print Culture in 18c London
- Reading Groups & Religious Identities
- Rock Music in Post-Liberalization Bangalore
- Alkazi Collection of Photography, New Delhi
- Images of Celebrity in British Tabloids 1904-38
- Communications Policy in Kenya
- Books Within Books 1880-1914
- Organ Transplant in Film & Fiction
- Haptic Interaction with Museum Objects
- Reuters & News Photography
- Cold War Journalism, Soviet & US
- Cosmopolitanism & Cinema in Hong Kong, Taiwan
- Mimesis & Realness in Media Contexts
- Indian Diaspora & Decolonization in Guyana
- Older Lesbians in Mainstream Cinema
- Poetry in Meiji Japan 1870-1900
- Transcultural Fandom: Japanese Fans of HK Stars
- Teenage Gender Identity & Media Images of Sex, Romance, Drinking
- German Media, Bosnia & Kosovo Wars
- Russian Social Media Networks
- Technology, Labor & Bodies in Victorian Culture
- Culture & Media in Post-Socialist China
- Advertising in South Korea of the 00s
- Leftist Politics in Interwar China 1919-37
- Literary Archives at the University of Guyana
- French Revolutionary Prints as Spectacle
- Sport & Masculinity in Victorian Popular Culture
- Indo-Portuguese Identity Formation & Print Media
- Silent Films of Ozu Yasujiro
- Images of Empire in Chinese Geography Textbooks
- Humour as Resistance: Mexican Comics & Cinema
- Revealing the Sensorial World of Plants
- Anthropology of the Flashmob
- Digitization of Canadian Photographs Collection at the BL
- Performance + Print & Media Cultures
- Typhoons, Merchants & Meteorology in Treaty Port China
- Colonial Copyright & Photographic Image in Canada
- The English Clown in Performance & Print
- Photography & Periodicals, 1870-90
- Fantasies of the Real in Early Modern Japan
- “Gaijin” Others in Japanese Manga, 1930s-1950s
- The Forbidden Traces of Memory in Bucharest
- Japanese Visions of Fritz Lang’s “Metropolis”
- Popular Entertainment & the Chinese Public Sphere
- Critique of the Classic Science Documentary
- Mass Culture in Interwar Japan
- Sarin & Memory in Postwar Japan
- Portraying the Collector in Film, Animation & Games
- Freaks in 19th-century British Media & Medicine
- The Strategy Behind Campaign Imagery
- Public Sphere & Popular Media in China
- Visual Attributes for Face Images
- Introducing Print & Media Cultures
- Visual Studies Dissertation Reviews